I am an Australian artist, who specialises in photography, with a background in natural resource management. Based in the Canberra Region, my art business encompasses exhibiting, selling artworks, undertaking commissions, and collaborating on projects. Through my combined professional experience in visual art and natural resource management, I offer a cross-disciplinary capability: photographs that communicate ecological and natural resource management concepts; and commissioned photographs for a variety of purposes and locations - public, corporate and domestic. An experienced collaborator with ecologists, land managers, designers and business managers, I am always looking for opportunities to creatively share knowledge that helps raise the awareness of, and stewardship of nature.
Growing up adjacent to bushland in north-west Sydney led to a love for nature. After graduating with a Bachelor of Natural Resources, I worked for government agencies across water quality, river health, fluvial geomorphology and environmental impact assessment. Roles included project manager, program manager, applied researcher, and science communicator. My childhood obsession with art wasn't to be quelled by a career in environmental sciences though. I returned to university exploring environmental themes through the visual arts, completing a PhD in Visual Art from The Australian National University (2017). My thesis focused on place-based art practices in two parts: qualitative evaluation of other artists' experiences; and the photography series “Grassy Woodlands”. This award-winning series has been exhibited extensively, culminating in the book, “Grassland in Transition” – a collaboration with woodland ecologist Dr Sue McIntyre.
Clients include Bushy Landscapes (NSW), Ginninderry (ACT), Goulburn Regional Art Gallery (NSW), Centre for Contemporary Photography/Cityof Yarra Billboard (Victoria), Centenary of Canberra (ACT), and Stockland Shellharbour (NSW).
2017: Doctor of Philosophy (Visual Arts), School of Art and Design, The Australian National University (ANU). Thesis title, “Exploring the art and environment phenomenon through photography and tertiary-level place-based education”
2004: Graduate Diploma of Art (Visual Arts), ANU
1993: Bachelor of Natural Resources (Honours), University of New England
"Inhabiting the Woodlands", Goulburn Regional Art Gallery, NSW
“Grassy Woodlands”, Tamworth Regional Gallery, NSW
“Grassy Woodlands”, Crawford Gallery, Sydney
“Grassy Woodlands”, Moree Plains Gallery, Moree, NSW
PhD in Visual Arts examination exhibition, ANU School of Art Gallery, Canberra
“Grassy Woodlands”, Weswal Gallery, Tamworth, NSW
“Grassy Woodland in Spring 2014” and “Fertilised Pasture in Spring 2014” for ‘OUT THERE’ Billboard Art Program, CCP/City of Yarra Billboard, Melbourne
“Box-gum Grassy Woodlands”, Light Journeys, www.lightjourneys.net.au
‘Researching the River’, Discovery, CSIRO, Canberra
Select Group Exhibitions
2018: "The Fellows", School of Art and Design, ACT
2017: “The Botany of Desire”, Benalla Art Gallery, Victoria; "Artisans in the Gardens”, The Royal Botanical Garden Sydney; “Out of the Blue”, Photospace, School of Art and Design Gallery, ANU, Canberra; “Naturally Yours”, School of Art and Design Gallery, ANU, Canberra; “Witching Hour”, Centre for Contemporary Photography, Melbourne; “Earthkey”, Fyregallery, NSW; “How Does Your Garden Grow?” Goulburn Regional Art Gallery, NSW; “Making Design Research”, School of Art and Design Gallery, ANU, Canberra
2016: “A Regional Mix: Tamworth”, Janet Clayton Gallery, Paddington, NSW; “Land Dialogues”, Wagga Wagga Art Gallery, Wagga Wagga, NSW; "Vice Chancellor's College Visiting Artists Fellow Scheme", School of Art, ANU, Canberra
2015: Bowness Photography Prize, Monash Gallery of Art, Victoria
2014: “Pingyao International Photography Festival”, China; “Unmade Edges: A Centenary Legacy Exhibition”, Belconnen Arts Centre, ACT
2013: “Exhibition and Storytelling Event”, Gold Creek Station, Hall ACT for the Centenary of Canberra project ‘Portrait of a Nation: Unmade Edges – Distinctive Places, Hall’.
2010: “Engaging Visions: Your Place in Fine Art”, School of Art Gallery, ANU, Canberra; “The Contested Landscapes of Western Sydney. Exhibition of Fine Art”, See Street Gallery, Sydney; “Weereewa Photography Prize”, X Gallery, Bungendore, NSW
2009: “Capture”, ANU Climate Change Photographic Competition, ANU, Canberra; “Engaging Visions: A Benalla Field Study”, Benalla Art Gallery, Victoria; "Riverland”, The McCormick Centre for the Environment and Jeenaz (Murray Avenue), Renmark, South Australia
2008: “Tumut: An Exhibition of Visual Art”, Ex-State Bank Building, Tumut, NSW
2007: “Balonne”, Webster’s Building, St George, Queensland; “Landlines: Approaches to Land and Landscape”, Woodworks Gallery Bungendore, NSW
2006: 'Shep. The Earth: An Address About Water”, Shepparton Art Gallery, Shepparton, Victoria
2005: “Present Tense”, School of Art Gallery, ANU, Canberra
2004: “Here With Us: Mental Inset”, Tuggeranong Arts Centre, Canberra
2003: “Land$cape: Gold and Water”, Orange Regional Gallery, Orange, NSW; "Graduate Show: Certificate in Creative Photography”, PhotoAccess, Manuka, ACT
Grants and Awards
2017: Friends of the National Library Creative Arts Fellowship 2018; Finalist, Fremantle Print Award; Capital Region Landkeepers Trust Grant
2016: Winner, Pat Corrigan AM Acquisitive Award, Centre for Contemporary Photography Salon, Melbourne; NSW Artist’s Grant, Administered by National Association for the Visual Arts
2015: Finalist, Bowness Photography Prize; ANU Vice Chancellor's College Visiting Artists Fellow Scheme
2014: Veolia Creative Arts Scholarship
2010: Winner, Weereewa Photography Prize; Shortlisted, Head On Portrait Prize
2009: Winner, ANU Climate Change ‘Capture’ Photographic Competition
2008: School of Art Materials Award, ANU, Canberra
2007: Murray-Darling Basin Authority PhD Scholarship
Collections in which my Artwork is held
Parliament House Art Collection (Canberra),Tamworth Regional Gallery (Tamworth), Pat Corrigan AM Collection, Goulburn-Broken Catchment Management Authority (Shepparton), Murray-Darling Basin Authority (Canberra), The Australian National University (Canberra), Canberra Hospital, Corrs Chambers Westgarth (Melbourne), and private collections.
Art Related Publications
Carolyn Young and Sue McIntyre (2018). "Grassland in Transition". Carolyn Young, Wamboin.
Carolyn Young and Sue McIntyre (2018). Carolyn Young: Grassy Woodlands. “Western Humanities Review”, 72.1:130-140.
Baracco, M. and Wright, L. (Eds.) (2018). “Repair: Architecture Actively Engaging with the Repair of the Places it is Part of”. Australian Pavilion, Biennale Architettura 2018. Australian Institute of Architects, Melbourne and Actar Publishes, New York.
Guy Abrahams, Bronwyn Johnson and Kelly Gellatly (eds) (2016).“Art+Climate=Change”. Melbourne University Press, Melbourne.
Carolyn Young (2016) "Exploring the art and environment phenomenon through photography and tertiary-level place-based education”. Ph.D., The Australian National University.
Carolyn Young, John C. Reid and Bart Meehan (2015). Taking action: researching an innovative pedagogy for an aesthetic environmental approach to environmental issues. “Current Opinion in Environmental Sustainability”, 16: 64-72.
Barbie Robinson and David Chalker (eds) (2013). “100 Views of Canberra”. PhotoAccess, Canberra.
Young.C. (2013). In Response to Local Narratives. “Portrait of a Nation: Unmade edges– Distinctive Places Hall”. Exhibition Catalogue, Centenary of Canberra.
Reid,J., Lamberts, R., Young, C. and Tambiah, C. (2010). “Engaging Visions: EngagingArtists with the Community about the Environment”. The Australian NationalUniversity, Canberra.
Young,C. and Reid, J. (2009). Engaging Visions a Benalla Field Study. “Benalla”.Exhibition Catalogue. The Australian National University, Canberra.
Select Science Publications
Young, C. and Outhet, D. (2004). ‘Using reference reaches to find the causes of poor river geomorphic condition’. In: “TheFourth Stream Management Conference Proceedings”, Launceston.
Young, C., Weber, T., Rooney, G., Feehan,F., Perry, D. and Carroll, C. (2003). ‘Bridging the Gap Between Research and Adoption – The CRC for Catchment Hydrology’s Development Projects’. In: “AWA NationalConference on Integrated Catchment Management Proceedings”, Parramatta, 26-27 November 2003.
Young, C. and Coupland, P. (1999). Community funding programs – successes or failures an evaluation of the Nutrient Control Incentive Scheme. In: Rutherfurd, I. and Bartley, R. (Eds) Proceedings of the Second Australian Stream Management Conference”, Vol 2, Adelaide, pp 743-48.
Economic and Social Commission for Asia and the Pacific (1998). "Guidelines and Manual on theProtection and Rehabilitation of Contaminated Rivers". Water Resources Series No. 78. United Nations, New York.
Young, C and Atkins, G. (1998). Community Involvement in Constructed Wetlands. In: “Constructed Wetlands Manual”. NSW Department of Land and Water Conservation.
Young, C. and Close, A (1997). “Impact of Hume Dam Drawdown on Flood Levels: October to December 1996”. MDBC TechnicalReport 97/4.
White, G. Kuginis, K., Beharrell, M., andYoung, C. (1996). Constructed Wetlands for Urban Stormwater Management. “Water”, Australian Water and Wastewater Association, Vol 23, 4, pp48-53.
NSW Working with Children Check
Arts Business Basics Course (National Association of Visual Artists)
Member, National Association of Visual Artists (NAVA)
Mediation and Facilitation Training (Peak Performance Development)
Volunteer work: teaching photography and place-based learning at my children’s primary school